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Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione

Carlotta Sillano

Abstract


The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contribute to a re-orchestration of environmental sound and should promote awareness and active listening of extra-musical sounds. However, every music composition or performance that draws on this kind of acoustic material, inevitably transforms its fruition. Immediacy is in fact impossible and each perception produces a new meaning. The article highlights the value of subjective perception and creative processes in the multidisciplinary discussion about soundscape.


Keywords


soundscape; music; sound ontology; music semiology; acoustic communication.

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References


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DOI: https://doi.org/10.7358/gn-2021-001-sill

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Copyright (©) 2021 Carlotta Sillano – Editorial format and Graphical layout: copyright (©) LED Edizioni Universitarie

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Geography Notebooks / Quaderni di Geografia / Cahiers de Géographie / Cuadernos de Geografía
Registered by Tribunale di Milano (06.12.2017 - n. 342) 
Online ISSN 2611-7207 - Print ISSN 2611-7193


Editor in Chief: Dino Gavinelli
Editorial Board: Maristella Bergaglio - Valerio Bini - Alice Giulia Dal Borgo - Giuseppe Gambazza - Flavio Lucchesi - Eleonora Mastropietro - Giacomo Zanolin
Scientific Editorial Board: Matteo Bolocan Goldstein - Stefano de Rubertis - Elena Dell’Agnese - Philippe Duhamel - Agustin Gamir Orueta - Fiona Haslam McKenzie - Antoine Leblanc - Guy Mercier - Paolo Molinari - Valerià Paül Carril - Ana Pejdo - Jorge Virchez 


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