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Bruits en lettres brutes. Variations onomatopéiques dans trois mouvements d’avant-garde au XXe siècle: Futurisme, Dadaïsme, Lettrisme

Noemie Fargier

Abstract


Standing between an original expression and a universal language, a poetic game and a linguistic system, onomatopoeia occupied a cen­tral spot in three avan­t-gardes of the twen­tieth-cen­tury: futurism, dadaism, lettrism, regarding their own artistic research and the competition between them. Audible, graphic and linguistic material composing works halfway between poetry, music and graphic arts, onomatopoeia seems to converge in the three avan­t-gardes’ artistic and historic goals because of their intermedial, interdisciplinary and transnational dimension. They assert themselves by shaping this ambiguous material in a new approach, and each of them pretends to be the inven­tor of the onomatopoeic creation. Questioning origin, onomatopoeia looks however toward novelty, and wish to appear as a modern medium, with which the so-called fossilized arts could be revolutionized.


Keywords


ONOMATOPÉES ; AVANT-GARDES ; POÉSIE ; ARTS SONORES ; ARTS GRAPHIQUES

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References


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DOI: https://doi.org/10.7358/ling-2017-001-fargi



 


Linguæ & - Rivista di lingue e culture moderne
Registered by Tribunale di Milano (06/04/2012 n. 185)
Online ISSN 1724-8698 - Print ISSN 2281-8952


Dipartimento di Scienze della Comunicazione, Studi Umanistici e Internazionali: Storia, Culture, Lingue, Letterature, Arti, Media
Università degli Studi di Urbino Carlo Bo


Editor-in-Chief: Roberta Mullini
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Editorial Staff: Margaret Amatulli - Alessandra Calanchi - Riccardo Donati - Ivo Klaver  - Massimiliano Morini - Antonella Negri - Luca Renzi


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