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We Have Always Wanted More

Susana Tosca

Abstract


This essay proposes the concept of “transmedial desire” to characterize the impulse of audiences to engage with their favourite fictions across different media. I argue that transmedial desire is the essential force that makes fictions become transmedial in the first place and offer some historical examples of three different kinds of desires: experiencing, inhabiting and transforming.


Keywords


transmedial world; desire; fiction; storytelling; audience; experience; transformation

Full Text:

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References


Benshoff, Harry, and Sean Griffin. 2009. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. Oxford: Blackwell.

Brooks, Peter. 1984. Reading for the Plot. Design and Intention in Narrative. Cambridge, MA: Harvard University Press.

Calleja, Gordon. 2011. In-Game: From Immersion to Incorporation. Cambridge, MA: MIT Press.

Dena, Christy. 2011. “Do You Have a Big Stick?” if:book Australia, February 7, 2011. January 10, 2015.

Hayward, Jennifer. 1997 Consuming Pleasures. Active Audiences and Serial Fictions from Dickens to Soap Opera. Kentucky: The University Press of Kentucky.

Gerrig, Richard J. 1993. Experiencing Narrative Worlds. On the Psychological Activities of Reading. Boulder: Westview Press.

Jenkins, Henry. 2006. Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York: New York UP.

Klastrup, Lisbeth, and Susana Tosca. 2013 “A Game of Thrones: Transmedial Worlds, Fandom & Social Gaming”. In Storyworlds Across Media, edited by Marie-Laure Ryan and Jan-Noël Thon, 295-314. Nebraska: University of Nebraska Press.

Klastrup, Lisbeth, and Susana Tosca. 2011. “When Fans Become Players: LOTRO in a Transmedial World Perspective”. In Ringbearers. The Lord of the Rings Online as Intertextual Narrative, edited by Tanya Krzywinska, Esther MacCallum-Stewart and Justin Parsler, 46-69. Manchester: Manchester University Press.

Klastrup, Lisbeth, and Susana Tosca. 2009. “Because it just looks cool!: Fashion as character performance, the case of WOW”, Journal of Virtual Worlds Research 1 (3): https://journals.tdl.org/jvwr/index.php/jvwr/article/view/305/427.

Klastrup, Lisbeth, and Susana Tosca. 2004. “Transmedial worlds - rethinking cyberworld design”. In CW2004 Cyberworlds Conference Proceedings. Los Alamitos: IEEE.

Leavenworth, Maria Lindgren. 2013. “Transmedial Narration and Fan Fiction. The Storyworld of The Vampire Diaries”. In Storyworlds Across Media, edited by Marie-Laure Ryan and Jan-Noël Thon, 315-331. Nebraska: University of Nebraska Press.

Milnor, Kristina. 2014. Graffiti and the Literary Landscape in Roman Pompeii. Oxford: Oxford University Press.

Mortensen, Torill. 2004. “Flow, Seduction and Mutual Pleasures”. In Miguel Sicart and Jonas Heide Smith, Proceedings of Other Players conference. Center for Computer Games Research, IT. University of Copenhagen, Denmark. 6-8 December 2004, http://tilsett.hivolda.no/tm/mortensen_otherPlayers.pdf

Taylor, TL. 2003. “Multiple Pleasures. Women and Online Gaming”. Convergence, 9 (1), 21-46.




DOI: https://doi.org/10.7358/ijtl-2015-001-tosc


International Journal of Transmedia Literacy (IJTL)
Registered by Tribunale di Milano (22/10/2014 n. 328)
Online ISSN 2465-2261 - Print ISSN 2465-227X


Editor in Chief: Matteo Ciastellardi
Managing Editor: Giovanna Di Rosario
Managing Committee: Matteo Andreozzi, Stefano Calzati, Ugo Eccli, Cristina Miranda de Almeida.

Board Committee: Alan Albarran (University of North Texas, United States), Rogério Barbosa Da Silva (Universidade Federal de Minas Gerais, Brazil), Giovanni Baule (Politecnico di Milano, Italy), Laura Borràs Castanyer (Universitat de Barcelona, Spain), Derrick de Kerckhove (Politecnico di Milano, Italy), Henry Jenkins (University of Southern California, United States), Marsha Kinder (University of Southern California, United States), Raine Koskimaa (University of Jyväskylä, Finland), George Landow (Brown University, United States), Paul Levinson (Fordham University, United States), Asún López-Varela (Universidad Complutense, Spain), Lev Manovich (City University of New York, United States), Nick Montfort (Massachusetts Institute of Technology, United States), Marcos Novak (UCLA - University of California, Los Angeles, United States), Massimo Parodi (Università degli Studi di Milano, Italy), Bruce W. Powe (York University, Canada), Kate Pullinger (Bath Spa University, United Kingdom), Marie-Laure Ryan (Indipendent Scholar), Alexandra Saemmer (Université Paris 8, France), Carlos Scolari (Universitat Pompeu Fabra, Spain), Susana Tosca (IT University of Copenhagen, Denmark), Alessandro Zinna (Université Toulouse II, France)


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